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Introduction for Real Estate Photography

Introduction for Real Estate Photography

Hi my name is Alex and I will be taking you through a photographer training tutorial where you learn the principles and techniques of real estate photography. Make sure you have your camera and tripod on hand so you can change settings accordingly and experiment with some of the techniques intermittently as we go through different processes and ideas.<br/><br/><h2>Before we get started on the photography side of the job, we need to do a basic overview of best practices once you arrive at a property.</h2><br/>Firstly, it's important to remember that though there are formulas and rules of real estate photography that you'll be thinking about every shoot, every agent and broker has different preferences and goals, depending on their taste and the distinctive characteristics of the listing. Therefore after you've met the agent and gone through baseline introductions, ask them to give you a tour of the property so they can voice any specific shot ideas,angles are elements of the property they especially want to capture.<br/><br/>This will give you a good sense of their marketing goal and the layout of the house so you can mentally prepare for the forthcoming shoot. Don't hesitate to respectfully raise concerns if agent has a poor shot idea that you know won't work. In these situations you may want to take the shot and show them it's a bad idea rather than trying to describe why. Nonetheless, the ultimate goal is to give the agent what they want, so be compliant and experiment with bizarre ideas if necessary.<br/><br/>Sometimes you may even be surprised. After you've gotten a tour from the agent, start prepping the house for photos. This means turning on all light fixtures and lamps, pulling up blinds and hiding remote controls, Kleenex boxes, sponges and any other items inside that will show poorly in photos and make it difficult on your <a href="https://www.phixer.net/">real estate image retouching company</a>. For staged houses, you probably won't have to move anything out of the way but in properties where the homeowners are still living there, you may have to hide some personal items and declutter a bit. Remember you have a limited amount of time to finish the shoot, so if the house is overly cluttered or unprepared for shooting, ask the agent whether you should reschedule or if they're comfortable shooting the property in its present condition. There's only so much you can do and you're a photographer not a home cleaner/stager.<br/><br/><h2>Do not spend more than 15 minutes prepping the property.</h2><br/>Do what you can within that limit, however moving heavy furniture, decluttering every room, sweeping etc are not your responsibilities. If you have time, avoid including the following items in your shots; bath mats, small carpets or mats on the kitchen floor, modems and bundles of cords, the homeowner's personal photos, toothbrushes, shampoo bottles and personal toiletries in general, trash cans, bedside alarm clocks, home phones, dog beds, litter boxes and anything else that will negatively affect the marketability of the listing. Usually these items can be gently move to the outside of the frame of the photo, then returned once you finish capturing the space. A note on blinds, in general all window blinds should be pulled up there are few exceptions to this rule, so leave the blinds up if;<br/><br/>A. The view outside is really unpleasant, for example there's a dumpster and industrial refinery, a chaotic construction site or anything else that would devalue the listing.<br/><br/>B. If the agent and insists for whatever reason, on leaving them down, you are after all working for them.<br/><br/>And lastly:<br/><br/>C. If the blinds are broken and won't stay level or pull up entirely. Sometimes excessively heavy blinds can be problematic and it's best not to risk pulling them off the wall. Leave the blinds down and twist them open so light can come through the windows. Other notes on prepping the house; make sure you remove security signs from the front yard before taking exterior shots, also hoses should be either coiled or removed from view.<br/><br/>Garage doors should be closed and garbage cans either moved into the garage or out of view. In kitchen's especially, make sure you double check for cabinet under lighting and turn the stove lights on. Dining room and breakfast table chairs should be tucked in even and orderly. Fans, fireplaces, TVs in any other kinetic features of the listing should be turned off. These objects will appear blurry and disorienting once the disparate exposures are fused by your real estate photo retoucher into an HDR composite.

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Twilight Real Estate Photography and Editing Tutorial

June 1, 2020

Twilight Real Estate Photography and Editing Tutorial
Photo Editing

June 1, 2020

Impressing potential buyers by showcasing beauty and creativity from you photos will make your house sell fast. You must show exciting portfolio once you put your house on sale online. Taking pictures of the exterior and the interior of the property are the first important things one must do. With virtual twilight readily available to add effects on your photos, it lessens the hassle of rescheduling appointments just to catch the sunset view. Moreover, if the weather does not permit to give you that spectacular sunset for your backdrop, virtual twilight photography will answer all of this.

Virtual twilight basically highlights the exterior part of the house that is transformed by special effects. This method not only makes the property more presentable but it also makes the property more appealing to buyers. Virtual twilight can increase the beauty and charm of the property most especially on the exterior. Because of the filters and assortment of colors, it enhances the property’s aesthetics to satisfy every human’s eye.

Tutorial on How to Master the Basics of Editing Twilights for Real Estate

You will master in this tutorial the basics of editing twilights for real estate and highlight both the outside part of the house as well as the modified warm indoor lights and cool saturation of the property at dusk. Other than improving the property’s image at this particular time of day, you could create emotions out of the property and make it more likeable for buyers. Virtual twilight will make your real estate photos stand out because it helps present a home under the evening glow.

Check out the instructions below on how to master the basics of editing twilights for real estate.

1. Pick two images with the best ambient exposures

• Choose two photos with the best ambient exposures
• Correct the luminance of a twilight exposure
• Consider making changes in temperature, exposure, contrast, shadows, etc.

The first thing to do is to select the best two images with the best ambient exposures, one for the sky and one for the foreground. Open these two images in Camera Raw. Although you will still need to correct the lens and increase the luminance of every twilight exposure, twilight shots require editing each of them differently in Camera Raw.

images with the best ambient exposures

    • Some of the changes that you can make in the Camera Raw for the sky include
      • White Balance (Temperature is almost blue)
      • Exposure +60
      • Contrast +25
      • Highlights -25
      • Shadows 0
      • clarity +30
      • Vibrance +50
      • Saturation +30
      • Add Noise Reductio
      • Lens Profile Correction

In general, the sky exposure is cooler in temperature than the foreground exposure. You can use the Auto-White Balance as a good starting point.

2. Import HDR fused image, foreground exposure and sky exposure in the Photoshop

• Place fused images on layers and label them
• Duplicate layers before editing works start

Import HDR fused image

You may now import HDR fused image, foreground exposure and sky exposure in the Photoshop as a backup and you may put your fused file on layer zero and label it. Place your foreground image on layer one and label it, and finally put your sky image on layer two. It is important to duplicate these layers before you begin editing.

3. Masking the sky layer

• Mask the blue sky using a paint brush
• Set paint brush to a lower opacity

Masking the sky layer

Mask the blue sky using a paint brush

Once the layers are duplicated, create an all-black layer mask on your sky layer and use a white paint brush to mask in the blue sky. You may consider setting your paint brush to a lower opacity so that the lines on the mask will not become obvious and the layers look seamless.

4. Merge the sky and foreground layers

• Merge sky layer and foreground layer
• Fused layer should be placed underneath the merged layer
• Decrease opacity of the merged layer

Once you’ve finished masking the sky layer into the foreground layer, merge these two layers and duplicate your merged layer. If the lightings in the images still need to be more balanced, place your fused layer underneath the merged and decrease the opacity on the merged layer to a desired amount and then merge these two layers.

5. Open file in five ASA

• Set nodes on the sky, house and windows, and elsewhere
• Increase saturation and decrease temperature in the sky
• Increase warmth and vibrance for the house and windows

Open your final merge in five ASA and set nodes on the sky, on the house and in the larger glowing windows. For the sky, increase saturation and decrease the temperature to make it bluer. For the house and windows, increase warmth and vibrance so that the windows will shine nicely against the backdrop of blue. You also considering setting nodes elsewhere in the house if there are dark shadows that are too intense, or if there are greeneries that needed to be more vibrant and saturated.

Watch this full tutorial below:

 

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